A client rang me last week with a bigger marketing budget than he's had in three years and no clear idea who should be spending it.
He runs a mid-sized manufacturing distributor in the Midlands, the kind of business with a car park full of vans and a reception area that still smells faintly of fresh paint from a refit two years back.
Good business, steady growth, the sort of company that quietly gets on with things.
His finance director had just signed off a chunkier marketing spend for the second half of the year, and his reaction wasn't excitement. It was mild panic.
He had a marketing manager two years into the role, capable at execution, never once asked to think commercially. Now there was real money on the table and nobody in the building who'd actually managed a budget of that size before.
That call is the reason I'm writing this one. Because his problem isn't unusual right now. It's close to becoming the norm.
The latest IPA Bellwether report, published in the middle of July, found UK marketing budgets rising again this quarter, a net balance of plus 6.9 percent. On the surface that sounds like good news for anyone in our world.
Dig into where the money's actually going and the picture gets more interesting. Events spending is up sharply, a net balance of plus 11 percent. Video advertising just posted its strongest quarter in seven, up to plus 8.2 percent, after a long stretch of not much happening at all.
Meanwhile market research and other short-term activity are still running at a net loss this quarter, pulled back to help fund the bigger, slower plays. Businesses aren't just spending more. They're making a deliberate bet on brand-building over quick wins, and that's a different skill set to manage.
I've been placing marketing directors and heads of marketing for a long time, and I'll tell you what that shift actually means on the ground. A marketing manager who's good at running campaigns is not automatically good at defending an eighteen-month brand investment to a board that wants results by Christmas.
Those are different jobs wearing the same job title. One is tactical. The other has to hold a commercial argument under pressure, usually from a finance director who's never quite trusted marketing spend in the first place.
Why is marketing budget growth not translating into confident hiring?
Because the money moved faster than the leadership did. Budgets got approved on a forecast. Hiring decisions get made on trust, and trust takes longer to build than a spreadsheet takes to sign off. A lot of businesses are sitting on the healthiest marketing budget they've had in a couple of years and still running it through whoever happened to be in the marketing manager seat when the increase landed.
That's not a criticism of the person in the seat. But it's just not the same job anymore.
There's a version of this that plays out the same way every time. A promising marketing executive gets promoted into a head of marketing role because the team needs a lead and she's the obvious internal choice.
Eighteen months later the budget doubles, the board starts asking about return, and she's drowning in a job that's grown two sizes past the one she was hired for.
But nobody did anything wrong.
The company just never went back and asked whether the role still matched the person in it.
I'd gently push back, though, on the instinct to just spend the extra budget through the existing team and hope it works itself out. But it rarely does. Not because anyone's incompetent.
Commercial fluency, the ability to sit in front of a finance director and explain why brand spend today protects revenue in two years, is a specific skill some brilliant marketers simply haven't had to develop yet, mostly because nobody's ever needed them to.
What does a commercially-minded marketing director actually do differently?
She translates spend into a language finance already trusts. Not vanity metrics, not reach for the sake of reach, but a clear line from budget to commercial outcome that a board can actually interrogate.
She'll also say no to some of that lovely new budget, which sounds strange until you've watched someone do it well. Managing that trade-off, knowing when patience pays and when it's just an excuse for a weak campaign, is exactly the judgement call a marketing director earns their salary for.
IPA director general Paul Bainsfair pointed to the pattern behind these numbers, framing the continued investment in brand-building, even as overall business confidence slipped, as evidence that companies are playing a longer game rather than chasing short-term wins.
That's the environment a marketing director with commercial experience is built for. It's a mismatch for someone who's spent their career optimising this quarter's campaign performance.
None of this is really about talent. Everyone I've mentioned here is good at their job. It's about whether the job in front of them still matches the one they were hired to do, and increasingly it doesn't.
If your own marketing budget has grown faster than your leadership has, that's worth a proper look rather than a quiet hope it sorts itself out. Sometimes that means developing the person already in the seat, with proper support and a bit of patience.
Other times it means bringing in someone who's made that exact jump before, at another business, under another board's scrutiny. Either way, it's a decision worth making deliberately rather than by default.
Our marketing desk spends its working week talking to candidates who've made exactly that move, so if you want a second opinion on which route fits your business, send us the brief and we'll give you a straight answer.
For a longer view on what senior marketing leaders in the UK are actually paid right now, our marketing director salary guide breaks it down by region and experience. And if you're weighing up whether this is the year to make a senior marketing hire at all, our marketing recruitment specialists are worth a conversation before you commit either way.
Full detail on the figures referenced above sits in the IPA's Bellwether report, released mid-July.
